I just woke up from a three hour nap and as soon as I finish writing this and posting it (to the new site, woo to the hoo!) and returning some email, Iām going back to sleep. You thought just because I havenāt been writing for a while Iāve been living it up with hookers and blow, right? Well, I mean, I have, but thereās only so much hookers and blow one girl can take before she begins to long in a very pointed manner for her jammies and her flannel sheets.
Part of the reason Iām so beat, Iām sure, has to do with the crazy Suhaila format bellydance class my friend Renee has been teaching for the past two weeks and which is kicking my ass in a way my ass hasnāt been kicked sinceā¦well, since ever, probably. Iāve been doing various types of bellydance on a very casual basis since 1999 (Lord have mercy) but somehow none of that seems to have prepared me for this format. Itās hard to explain how itās different from tribalā¦not the class itself, which is pretty much all drills and stretching and butt squeezes and downbeats and upbeats and is pretty much SAPPING MY WILL TO LIVE (this morning when I was attempting to do a sitting-down down-to-up undulation I looked at myself at the mirror and I looked like I had been sentenced to five-to-ten at a bellydance penal farm with no time off for good behavior)ā¦but the way you think about each move. For example, in my tribal class, when we drop our hip, we do it by bending the knee and using the oblique muscles. I think. In Suhaila format we drop our hip by squeezing our opposite glute, and if this sounds confusing to you and you are pursing your mouth and knitting your brow, trying to figure out which bits of you are connected to the other bits, and how to make all those bits work together to do something as simple as drop your hip in time to the music (but donāt use your knees or your obliques! Obliques are for chest circles!), then, yes, welcome to my Sunday morning. It was such a hard class.
The studio where we dance has big open windows to the street outside and I wondered what people walking by must have thought about a room full of women with strained expressions on their faces, justā¦walking around. Sometimes we walked up on our toes, and sometimes we walked backwards, and sometimes we walked to the side, but from the outside we must look really stupid, because how hard can it be, right? The best must be when weāre sitting down with our legs out doing glute squeezes (which you do in time to the music, hilariously)ā¦people must be walking by going, āThat is the easiest yoga class ever.ā Oh, ha ha ha HA.
Whatās really difficult, though, isnāt squeezing my left butt cheek while trying to drop my right hip as I step on my right foots (seriously, stand up right now in your office cube and try it. Hard, right? Right), but failing at squeezing and dropping and stepping. Like I said, Iāve been dancing for a while now and while I am still not very graceful or accomplished (maybe another six years will help, you tell me) I at least feel competent most of the time. Like, in tribal class, when Sharon says to undulate, I can undulate and know what it means. When she says to shimmy I can rest secure in the knowledge that I am, in fact, shimmying. The dance vocabulary makes sense to me and I can see what Iām doing wrong most of the time and understand how to make it right.
This class? This class, I told Renee that I couldnāt locate my own butt. āI donāt know where it is!ā I wailed, and a couple of the other women nodded their heads, like, they couldnāt find their butts either. Not being able to locate my plus-sized ass has not been, traditionally, a problem from which I have suffered, but I tried to squeeze when she said squeeze and nothing happened and it was all very humiliating. Iād felt bad earlier in the class when I couldnāt do a straddle squat very well, or when I couldnāt maintain plank position, or when I couldnāt do a split or pushups or whatever, but thatās nothing compared to having to ask someoneā¦a woman to whose house you have been for dinner!..to help you squeeze your butt muscles.
So simple, and so difficult. I got so mad at myself during that class and I couldnāt wait for it to be over because I wanted to be good at something, like walking, again. I kept telling myself that itās only my second class and that I shouldnāt beat myself up about it, but I kept thinking about how I really should be better at dance in general since Iāve been doing it as long as I have, and how Iām still not that good at tribal, and how I have often wanted to be in a troupe but that I really donāt have the skills to do so, and it feels impossible to ever get the skillsā¦what with my not being able to drop my hip effectively. I was so mad at myself. Part of me just wanted the class to be over so I could go to Trader Joeās and go home and get back into bed and another part of me was upset that I was even thinking of quitting and another part of me just wanted to be able to use my butt for a purpose other than making my jeans too tight and another part of me wanted to DOMINATE the class and blow everyone away with the power of my hip drops and another part of me felt really fat and sad and another part of me just wanted to sit down and stretch out.
āYou really have to have beginnerās mind,ā Renee said, when I told her Iād had sort of a frustrating class. I know sheās right, but itās so hard to want to keep on beginning, over and over again, to accept that Iām not very good at something I really likeā¦and to keep liking it anyway.
Comments
One response to “Beginner’s Mind”
Hi new site! Hi Chiara!
It sounds like you’re enjoying R’s class! YAY! Yes, it is likely more intense…like a workout. Like instead of doing circuit training, you focus on one muscle group at a time each week. So next week something ELSE can be sore! LOL
And I teach hip drops the same way, but I am glad you “got it” from Renee’s class. Hell, if you didn’t have it after a full hour of concentrating on just *that* I might had to slap ya up. *grin*